Studio
Framing is a conversation with the wall
We care about viewing distance, hallway light, and whether a piece is encountered walking past or pausing to read it closely.
Art, space, and distance
A print over a sofa is read from several feet away; a small work in a study may be viewed at arm's length. Mat width and moulding depth shift with that distance.
Quiet walls, active edges
We favor frames that finish a piece without shouting across a room. When a wall already holds pattern, the frame can step back; when the art is minimal, the edge may carry more presence.
Maker sensibility
The studio stays small on purpose — time to lay out options, test corners, and adjust when something does not feel right on the bench.
